From GAZETTE 16
WHOLESALE
HAMMERING
A Profile Of Giles Blakeley
by Frederick Lloyd
Submitted by Chris Hough ?
Giles
Blakeley was really a blacksmith from the word go. Never content
to play with cars or footballs, he would be crashing through
the Kentish bracken, double handed sword in grip, clad in helmet
and shield. He was trained under a five year apprenticeship
in Westerham, Surrey, with a farrier. The farrier liked to stick
to farriery and as a result Giles quickly took on most of the
blacksmithing work which came in. At the same time, he took
a City and Guilds course in Blacksmithing at Hereford.
After his apprenticeship he travelled to
Tuscany, Italy, where he worked as a farrier for three
months. Fellow blacksmith and family friend Catherine
Lloyd later invited Giles to Norway where they spent
six weeks together working on a very large fire basket
and other large commissions. "I was good at the basics
and she was very good at finishes and perfecting everything.
It worked out really well. It was a good time".
"From the money earned on that job
I actually bought most of the basic tools for my forge."
He had set up a forge in a converted out-house on the family
property in Crowborough; Towsers Lodge Forge. Giles, his wife
and Cador, their Irish Wolf Hound live next door, in a caravan.
Now, two babies and one on the way later, they live in a house
nearby. His wife is a trained photographer
and organises most of his PR and secretarial work. The forge
is 3Oft. by l3ft. described by Giles as, "A rustic country forge
full of creative knick-knacks, with a double bick anvil, drills,
grinders and all the necessary equipment. I'm trained
in all the welding skills. I'd like a power hammer and bending
machine, then I'd have everything I want. I think." He
told me that he made all his own tongs, "As any good smith should,"
and talked at length of his love for French hammers with a square
block body, square forging face, and broadside pane.
In January '87, when work first started coming in, it was
mostly restoration jobs for antique dealers. He estimates this
is still fifty percent of his income. He enjoys this work
very much. "You need a good eye for colour and a feel for textures
required to match. I use old metal where I can, to enhance the
finish and I have a special rusting technique which I've perfected."
He wouldn't reveal it to me, naturally. "Trade top
secret." he bearns mischievously. Before us on the bench sits
a well rusted Huntsman and Hounds weather-vane and some 17th century
table brackets which need copying exactly. In his photo
album of work some 'antique' candle holders catch my eye, perfectly
'restored' to their appropriate age. They're reminiscent
of Greek iconoclastic decorations. "People come in and want this
or that to be repaired. It goes mostly by word of mouth. I repair
things, copy originals and replace missing parts and there's the
rosehead nails, I suppose you better mention them, I make them
by the hundred for antique dealers, they can't get enough of them."
If restoration is his favourite money earner,
his favourite hobby is sword and knives. "I've always enjoyed
making them. I made my first proper double handed sword six years
ago. I sold a beautiful sword and helmet for a silly price through
a London showroom." He points the picture out. The helmet
has large brass wings, the nose piece is an elegantly sculptured
dragon. The double handed sword was forged in mild steel and quenched
in oil for a rainbow effect. Then there are pages of knives; thatching
knives, hunting knives, throwing knives, all with wooden handles,
riveted to the tang. "I make the sheaths and scabbards too. I've
always had a special interest in
Samurai craftsmanship. They're just the best."
Knives apart, a lot of creative blacksmithing is hammered out
in Towsers Lodge Forge. "I like to work closely with the customers
and their designs." The Sunday Express included him in an article
on weathervanes which inundated him with weathervane commissions.
He cuts and forges them by hand, with copper, tin or brass lettering
and Hammerite finish. "I've tried and tested the finish on my
car. His car is a uniquely adapted Citroen. A moving advert
on wheels. "
I've had some interesting large commissions
from a landscape and interior designer, Leonard Lassalle. I built
a large table-base, three metres by one metre, eighty wide and
ninety centimetres high. Forged from thirty mil. square bar. It
had an oak pedestal base and an enormous Italian inlaid marble
top. It really looked great. On interiors I tend to clear back
the scale to reveal the patination and then build up layers of
black polish. I made a couple of garden gates for the same client.
A flower gate and a clover gate, one metre, eighty by ninety centimetres
and eighty by ninety centimetres respectively. The flower gate
was a business; each flower had to be cut by hand, all one hundred
and eighty of them! I riveted them in place, the rivet then formed
the heart of each flower. The clover gate was more straightforward.
I used a halving joint on the uprights and crossrails." It looked
lovely. If I had a garden, I'd love a garden gate like that. Giles
grinned through his bushy orange stubble, "One day," he says,
"One day."
"So" I ask, "What else have we got to cover?"
"Well" answers Giles, "There's all the other everyday stuff which
a blacksmith knows." "Well, what made you do all this and get
ingrained grubby hands then?" I prompt for a personal touch. He
laughs. "I don't know, I've always wanted to". In the blood
in other words I mumble. "A grandfather made swords for the army.
Then he moved on to saw making. He died when he was ninetysix,
in Sheffield." "Oh I see." I think to myself, "So granddad's been
reborn." Well even if he hasn't I'll bet he's well pleased with
his grandson's rustic grinding adventures. Giles gets into his
converted, hammerited Citroen. Time to take Cador, the Irish Wolf
Hound to the vets. At ten he's an old man with a dicky heart.
Off they go, and I'm left beside the forge, staring at a field
of free range chickens. And so another morning passes at another
country forge.
In
the 1997 Phone book:-
BLAKELEY, Giles, Creative Blacksmith
CROWBOROUGH
Sussex
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